For as we speak’s picture tip, lets talk a bit about panorama photography tips and techniques. This can be a evaluation of things we’ve discussed before, but many people have not actually tried using them. Set it as a goal for this weekfinish to get out there and use these landscape images suggestions and methods to create something you can be proud of!
Light – with a portrait, now we have total control. We will adjust the light levels, we are able to place our light where we want, we will put modifiers in front of it – like umbrellas, scrims, diffusion materials, gobos and so on… We are able to do just about anything we wish to get the image our mind has conjured up!
With landscape and cityscape photography, we’re just about stuck with what nature provides us. There’s not much we will do.
Or is there? With some pre-planning, we can almost assure a stunning shot!
In an out of doors, landscape setting, there is not much we will do to change or adjust the light, however we will become hyper aware of what light does at varied instances of day – and in varied weather conditions.
Firstly to be successful as a landscape or cityscape photographer – you need to have a need to lose sleep.
What am I talking about? Glad you asked! If you want to start capturing these dramatic landscape photos with all the gorgeous colors, there’s really only two times of day to shoot – at daybreak and at dusk.
But for a photographer, dawn and dusk are a bit more expanded than it’s possible you’ll think. About twenty minutes earlier than the sun first peeks over the horizon within the morning there is a “false” dawn. This time of day will provide you with those intense cobalt blue colours you see in contest winners, but haven’t been able to see in nature!
Because the sun gets closer and closer to the horizon, the colours will start to get pinker. The colors you see at daybreak are NOT the identical as the colours you see at sunset. (They’re more red and orange.)
So, drag yourself out of bed a couple hours before daybreak so that you’ll have sufficient time to grab a cup of coffee (so you might be awake enough to focus) and make your way to your predetermined spot, get set up and start shooting through the false dawn.
See what I mean about needing a need to lose sleep? Here is the nice thing, most of your mates and camera club competition will be snoring away while you “get the shot!”
By the way, there is a false sunset about 20 minutes after the sun goes down. You aren’t spending that point watching TV are you?
In addition to the terrific colors, you also get nice light angles!
Think of the last photo you noticed of a body builder… The place was the light? I would venture to guess that it was to the side. Truly about ninety degrees to the camera – model axis.
This glancing side light causes heavy shadowing across the muscle mass making them look more defined and really larger. The light causes some specular highlights too – which makes the difference between highlight and shadow even more striking.
Now think of your panorama or your cityscape as a muscle certain model. The shadows caused by the glancing sunlight will help define and emphasize the shapes.
Subsequent look for an fascinating scene! Use foreground parts to draw the eye into the photo. Use the rule of thirds, leading lines, diagonals and different compositional methods to draw the viewer’s eye to the “star” of your photo. (Be certain you’ve gotten a well defined “star!”)
Finally, throw in a couple of clouds to reflect the sun’s colors and add some visual interest to the sky and you will be well on your way to winning photograph contests!
Do all of this at dawn – then do a shot of the same scene at noon. Finally, do it once more at sunset and evaluate all of your results. I think you’ll quickly start to realize just how necessary all of the picture ideas, methods and guidelines we have been discussing truly are!
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